The Downer Party
Cities EP
Self-Released; 2011
Typically, women who try to make a career in rock music have a wide variety of modifiers attached to them, and most of them have to deal with how physically appealing their voices make them sound. It could be the growl of an Allison Mossheart, the coo of a Jenny Lewis, or the bell voice of a Neko Case (and let’s set aside discussions the Katy Perry and Lady Gaga types in the pop world), but there’s something vaguely chauvinistic about even the most innocuous reviews of albums by female artists. I guess we could just chalk it up to the fact that most music critics are heterosexual male nerds.
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